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Please view our most up-to-date COVID-19 guidelines before entering the show: http://www.tractortavern.com/tractor-covid-guidelines Some buildings have a soul. They breathe and sweat and pulsate, holding memories and stories and songs and laughter in their walls. RCA Studio A in Nashville, Tennessee, is such a place The photos on the walls of the Music City recording facility testify to its illustrious history, with Elvis Presley and Roy Orbison and Willie Nelson and Waylon Jennings, architects of rocknroll and country music, smiling down upon visitors. Elvis and The Beach Boys recorded here, as did B.B. King and The Monkees, and Joe Cocker and Tony Bennett. In 1973, Dolly Parton recorded Jolene and I Will Always Love You in the 5,000-square-foot studio in a single day.For Airbourne to bowl up to 30 Music Square West in April of this year with no songs cast in stone, just a pocketful of riffs and a burning desire to make the truest rocknroll record of their 16 year career, took a certain chutzpah, then, and a lot of balls. But history shows Airbourne never have backed down from a challengeIn the early days, in their native Australia, Joel Keeffes band would load their guitars and amps and drums into a station wagon and drive for 24 hours to play in the sort of bars where the patrons had prison tattoos, more fingers than teeth, and a dangerous lack of interest in having their drinking time spoilt by strangers. The boys would inevitably be met at the venue doors by a man whose only records were criminal onesWed be told, If you guys are gonna make a heap of noise I better fucking like it! Joel once recalled. These were the kind of people who wanted a good Saturday night, and if they didnt get it, there was gonna be trouble.
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