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Though many artists are defined by place, only a handful of artists come to define the places theyre from. The Local Honeys are Kentucky and Kentucky runs through their veins like an unbridled racehorse. When a master songsmith like Tom T Hall calls an artist a great credit to a wonderful Kentucky tradition its time to pull up a chair and pay attention. As it pertains to The Local Honeys he was right on the money. For almost a decade the duo (Montana Hobbs and Linda Jean Stokley) have been an integral part of the Kentucky musicscape. Theyve paid their dues, garnering countless accolades and accomplishments (tours with Tyler Childers, Colter Wall, praise from the New York Times) and have become the defining sound of real deal, honest-to-god Kentucky music. With their self-titled debut on La Honda Records, (home of some of todays most gifted songwriters; Colter Wall, Riddy Arman, Vincent Neil Emerson) the duo have set forth on a journey to create something true to themselves while pushing the envelope within the traditions they hold dear. Carefully crafted vignettes of rural Kentucky soar above layers of deep grooves and rich tones masterfully curated by longtime mentor Jesse Wells, Grammy nominated producer and musician (Assistant Director at the Kentucky Center for Traditional Music at Morehead State). Jesse grew up with sisters. He was cut from the same cloth as us and we knew he would understand what we wanted to do. What they ended up with is the most nuanced, moody, deep-holler sound they have captured to date. This is the first time weve actively gotten to express who we are and where were from says Linda Jean, The songs on the album speak for us, adds Montana theyre about what we know, reflections of us as people. We realized we have the power to add our own narrative into Kentucky music. Through that realization the two were able to uncover and dissect themes unique to Central Appalachia and in turn their own lives, capturing small moments in time that deliver thunderous results. Throughout The Local Honeys, the duo demand to be interpreted as creators and storytellers, not just purveyors of tradition. Similarly, the sounds captured within the project cement their place as innovators and rule breakers. Rollicking banjo meets overdriven guitar hooks and blue collar rural grit is met with lush melodies and nimble harmonies; its a project filled with juxtaposition and it isnt by accident. Its reflective of who they are and who they run with. Wells along with The Food Stamps rhythm section - Rod Elkins (percussion) Craig Burletic (bass) and Clay City, KYs irreplaceably one-of-a-kind Josh Nolan (guitar) all lent their expertise and signature groove as collaborators during the session creating a fluidity, warmth and cohesion that can only be created through friendship. The project was engineered in Louisville at Lalaland by Grammy winner Anne Gauthier.
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