Its creation led by pure emotion, Cate Le Bons seventh record Michelangelo Dying usurped the album she thought she was making. The product of all-consuming heartache, her feelings overrode her reluctance to write an album about love, and in the process became a kind of exorcism. What emerges is a wonderfully iridescent attempt to photograph a wound before it closes up but which in doing so, picks at it too.Stalking its maker between Hydra, Cardiff, London and Los Angeles, Michelangelo Dying was,...