The Bad Plus + Marc Ribot's Ceramic Dog 'In the Round'

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The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. Avoiding easy categorization, The Bad Plus has won critical acclaim and a legion of fans worldwide with their unique sound and flair for live performance.Now in their 21st year, The Bad Plus continues to push boundaries as founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band with Ben Monder (guitar) and Chris Speed (tenor saxophone) instigating a new wave of excitement and anticipation within the band that is re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques while exploring the infinite possibilities of exceptional musicians working in perfect sync.Marc Ribots Ceramic DogI got a right to say FUCK YOU!!! is how the new album from veteran guitarist Marc Ribots trio Ceramic Dog starts off, with Ribot howling in anger at corruption, tyranny, life in general, and nothing in particular. Ribot certainly isnt the only one piling-on, but if youve got a serious case of outrage fatigue, Ceramic Dogs explosive cocktail of balls-to-the-wall abandon, chameleonic disregard for style constraints, political commentary, and absurdist humor is just the shot in the ass you might need. In fact, Ceramic Dogs new album -- titled YRU Still Here? directed in equal parts at themselves, the commander in chief, and the listening public -- arrives just in time to remind us that now is a moment when anger is not only necessary, and unavoidable, but also good for house plants . Thanks in no small part to the fire, brimstone, and dextrous facility summoned by kindred spirits Shahzad Ismaily (Secret Chiefs 3, Will Oldham, Ben Frost) on bass and drummer Ches Smith (Xiu Xiu, Secret Chiefs 3, Trevor Dunns Trio Convulsant), YRU Still Here? comes to the table armed with more than just sloganeering rhetoric. By way of stylistic explanation, Ribot comments: Yes, we too are subject to the post-modern condition, but we see it as a kind of psoriasis. Alongside his monumental career forging his peerless guitar style with the likes of Tom Waits, John Zorn, the Lounge Lizards, etc, Ribot has also worked for decades as a tenant union and artist rights activist, where he master ed the agit-prop skills used to such dazzling effect on hits such as Fuck La Migra and Muslim/Jewish Resistance. As much as it is a rallying cry, though, YRU Still Here? also further consecrates Ribots bond with Ismaily and Smith, referring to them as his musical conscience and to the band as a family...although not always in a good way. After all the playing Ive done, Ribot explains, theres just something about this group that still manages to shock me.

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