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SALAMI ROSE JOE LOUIS (nee Lindsay Olsen) is a multi-instrumentalist, producer and singer songwriter from California on Flying Lotuss label Brainfeeder. Drawing influences from jazz, soul, hip-hop, pop, Shuggie Otis, Captain Beefheart, Stereolab, and R. Stevie Moore, she creates a blend of experimental dreamy sounds with jazz influenced vocals and keys.SRJL just surprise released a new Brainfeeder EP, Salami Live at 2131 North Kacey Street which features new versions of songs from her catalog, including 2023s Akousmatikous, with the help of a stellar cast of musicians, from her 2023/24 tour Flanafi (guitar), Tone Whitfield (bass), Nazir Ebo (drums).From its opening moments, the EP presents a Salami Rose Joe Louis youve not heard before. ZEE COMPLEX places Olsens soft, wispy voice against eerie, urgent, and at points abrasive instrumentation. Its a dynamic introduction to the magic conjured by Olsen and her collaborators! The former climate scientist released the highly acclaimed Zdenka 2080 (2019) and Chapters of Zdenka (2020) and most recent (2023) Akousmatikous which featured Brijean (Ghostly) and Soccer96 (The Comet is Comings Danalogue and Betamax).She creates an unique experience: exploring ideas of multiverses and climate change through the lens of a fictional post-apocalyptic keyboard-toting earthling with a flashlight, a can of cashews and a hopeful optimism.Zdenka 2080 was nominated for Gilles Petersons Worldwide Awards for best album of 2020. She had the honor of joining Flying Lotus Flamagra Tour, the Cinematic Orchestras European tour, Toro y Mois Outer Peace Tour, TuneYards US. tour and supported the likes of Clairo, MNDSGN, Homeshake, and Still Woozy. She was featured on Toro y Mois album, Mahal, and she did a remix Hiatus Kaiyote on Ninja Tune/Brainfeeder.OMARI JAZZ is the Portland based beat scientist. His latest release is the second volume of Reflections, Black Decelerant, as the duo of Khari Lucas, aka Contour, and Omari Jazz, exploring improvisational jazz traditions through contemporary tone and texture, fostering sonic meditations on themes of Black being and nonbeing, life and mourning, expansion and limitation, and the individual and collective. The Black Decelerant collaboration, and intention, creates space for listeners to be still, while providing a basis for a movement beyond the moment. Notes on Seating: The Jack London provides two options for ticket purchasers. Reserved Seating is purchased on a table-by-table basis in the central part of the venue and is only available for select shows. Seating in the General Admission section is limited, first come first served, and may be standing room only.
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