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During his years as lead singer and main songwriter of Toad the Wet Sprocket, Glen Phillips helped to create the bands elegant folk/pop sound with honest, introspective lyrics that forged a close bond with their fans. When Toad went on hiatus, Glen launch ed a solo career with his album Abulum , and stayed busy collaborating with other artists on various projects including Mutual Admiration Society, with members of Nickel Creek and Remote Tree Children, an experimental outing with John Morgan Askew.Until recently, Ive seldom stayed in one place for very long, Phillips says, explaining the genesis of his new album, THERE IS SO MUCH HERE. I was lucky during the COVID lockdown to move in with my girlfriend, now wife, and to be home for the longest stretch Ive had since the birth of my daughter, 20 years ago. I began noticing the little things. After a life of travel and seeking out peak experiences, I began to appreciate sitting still, watching the paint dry and loving it.Ive been playing a songwriting game with Texas folk singer Matt The Electrician, for about ten years. Every Friday, he sends out a title. We have a week to write a song that includes it. The process allows me to write songs I wouldnt write on my own. Im always surprised at what comes out.When my friend John [Morgan Askew] invited me to come up to his studio and make music, I said, Yes, as I collected a bunch of the new songs and headed up to Bocce Studios, in Vancouver, WA. John invited drummer Ji Tanzer and bass player/multi - in strumentalist Dave Depper along. When we started playing, I wasnt sure we were aiming for, but as the process unfolded, the songs began to make sense together.Phillips previous solo record, SWALLOWED BY THE NEW, was about grief, a post - divorce outing while THERE IS SO MUCH HERE finds Phillips writing love songs again focusing on gratitude, beauty and staying present. With this batch of songs, I noticed I was writing hopeful music again. Id turned the corner and was more interested in curiosity and pl ay than I was in gazing at my navel. I was finally in a state of being that wasnt about grief and loss. Things felt doable and even exciting again.As I sat still during the lockdown, I realized how much is always here in the space around me, in the sensations of my body, in the sounds and smells and tastes and thoughts that emerge and drift away. Its not a new concept, but it is a novel experience when youve spent your life running from one thing to another.Ultimately, as Phillips reflects on th e album, he shares: This is an album about showing up for what is and letting it be enough.
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