The Beatles’ Revolver (1966) marks a turning point in modern music. Built in the studio, not the stage, it bends recording into composition. Tape loops, reversed guitars, strings, and psychedelic precision reshaping what a band album can be. ‘Taxman’ is sharp and impatient. ‘Eleanor Rigby’ is all loneliness and no escape. ‘I’m Only Sleeping’ drifts at the edge of waking life. ‘Tomorrow Never Knows’ lets go completely. We present the album in full, rebuilt by a live band as it was supposed to ...