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**Poison Ruïn, Blazing Eye, Death Rites, Tube Alloys** Evoking a rich tapestry of ice-caked forests, peasant revolts, and silent knights, Poison Ruïn stab at the pulsing heart of what it means to live under the permanent midnight of contemporary life. Harvest gazes at the world with a sense of grave seriousness, its stare softened only by the alluring seduction of a dream world’s open-ended possibility. These songs move with a type of uncanny confidence, assembling an array of references to past styles and sensibilities that collapse in on one another, congealing into a truly unique sonic landscape. Poison Ruïn have constructed a fantasy world of a better future. They do not flinch in the face of darkness or peddle in empty utopian gestures, but rather harness the energies of revenge and comradery to stoke the desire for a better world made material. Its title track interplays between softly transitory instrumentals and sonic barrages, juxtaposing piano passages against a drawling, sitting-on-the-edge-of-the-world vocal line. Frantic instrumentals race forward with bold highs, shifting effortlessly from urgent funeral marches to subtly power pop inflected choruses. “Harvest” is a metaphor for workers’ struggle - a bitter calls to arms. With Harvest, Poison Ruïn aligns their sonic palette to their godless, medieval-inflected aesthetic symbolism, creating a record which strikes with an assured sense of blackened harmony. “I’ve always found fantasy tropes to be incredibly evocative,” vocalist/guitarist Mac Kennedy notes, “that said, even though they are a set of symbols that seem to speak to most people of our generation, they are often either apolitical or co-opted for incredibly backwards politics.” With Harvest’s lyrics and imagery, Kennedy reworks fantasy imagery as a series of totems for the downtrodden, stripping it of its escapist tendencies and retooling it as a rich metaphor for the collective struggle over our shared reality: “Instead of knights in shining armor and dragons, it’s a peasant revolt,” he explains, “I’m all for protest songs, but with this band I’ve found that sometimes your message can reach a greater audience if you imbue it with a certain interactive, almost magical realist element.”
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